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Coco Riot, Los Fantasmas #6, Ink and Acrylic Paint on Paper, 2013, photographed by Salma Al Atassi

Unburying Our Histories

Alicia Coutts, Coco Riot

Main Gallery

May 31 – July 13, 2013

Essay by:

Unburying Our Histories lays bare the devastating intimacy of political violence, and the centrality of its denial to our unequal social and political reality. In works that trace their families’ histories in meticulous detail, Alicia Coutts and Coco Riot have created vivid, trans-generational archives of genocide that confront us with the violence of their disavowal. Coco Riot’s Los Fantasmas (2013) documents the 200,000 civilians killed by fascist troops and buried in mass graves during the Spanish civil war of 1936-1939. Alicia Coutts’s The House in which Florence Sabina Jantina Coutts-Zawadzki Grew Up (2009) takes up the post-war disavowal of Jewish identity, and the intimate enactment of racism within mixed families. Unburying Our Histories turns us toward the affective work of the political. We might think of these apparitions as matter out of place: European hauntings in a middle-class Toronto household; Spanish genocide reproduced on paper and placed on walls. These works prompt us to unbury our dead and acknowledge that their disavowal continues our unequal social and political reality.


Toronto artist, Alicia Coutts, received her MFA from NSCAD in 2009. Her work investigates the cultural and psychological identities of people in post conflict societies. Her photographic series, The Lost Synagogues of Poland, documented former synagogues, which are now being utilized for various secular purposes such as swimming pools, movie theaters and mechanic shops. With a deep interest in secret historical spaces, she pursued an Art Conservation post-baccalaureate at SACI University in Florence. Her thesis, The Destruction of Cultural Heritage in a Time of War, examines strategies for the conservation of war affected UNESCO sites. Coutts is the Director of a conservation company dedicated to the preservation of cultural icons.

Critical Art & Culture